Central German Master, Early 16th Century

The single linden panel is back to the reverse by a later hardwood panel. Overall the panels have a slight convex bow. There are some scattered, small losses around the edges of the panel, as visible in the catalogue illustration, but the paint surface is otherwise secure under an old, dirty varnish. Inspection under UV light is impeded by the varnish although some old retouching work is evident in the darks of the background Offered unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This intriguing panel appears to be unique in its iconography for the fact that it contravenes Matthew 27:29: ‘And when they had platted a crown of thorns, they put it upon his head and a reed in his right hand: and they bowed the knee before him, and mocked him, saying Hail, King of the Jews!’. The reed has here been replaced by a cup, presumably of wine. The artist may be conflating this account with a later episode in Matthew 27:48 where an onlooker ‘took a sponge, filled it with sour wine and put it on a reed, and offered it to Him to drink’ or it may be an allusion to the Eucharist. X-radiography reveals an old but indecipherable inscription along the top of the panel.