Vincent Jansz. van der Vinne

Laid down. A small window cut out of the backing to show the signature (and traces of further inscriptions visible at the top edge of this window). Slightly discoloured and damaged at extreme left edge, but overall condition good and fresh. Sold in a modern gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This is a copy after the painting by Jan Both, executed circa 1645, and now in the Wallace Collection, London (inv. no. P28).  Such watercolour copies of earlier paintings were very popular in the later 18th century, and frequently the artist inscribed on the verso, alongside his signature, a note of the collection in which the original was to be found.  Indeed, although only the signature is currently visible on the present drawing, the extremities of a futher inscription above can be seen, suggesting that in this case too there is actually more information to be revealed.