Zhang Huan

Acquired directly from the artist

This work is in very good condition overall. There is evidence of surface rubbing to the top left edge of the canvas where there appears to be less surface texture in the adhered ash fragments. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"Collected weekly from some twenty temples around Shanghai, large quantities of incense ash are taken to a dedicated warehouse (the studio's 'soul' according to Zhang Huan) where they sit in smoldering heaps. Here, the ash is sorted into patchwork palettes of different tones and grades: the finer dust is sifted from the coarser flakes, the lighter tones from the darker ones. With broad brushstrokes, Zhang applies a foundation of powdered ash to canvases with carefully prepared adhesive grounds, before building up the surface texture with larger flakes and Joss stick remnants." Nina Miall in Zhang Huan: Ash, Haunch of Venison, London, 2007