Carol Bove

Kimmerich, New York
Private Collection

New York, Kimmerich, Carol Bove, March - May 2010

This work is in excellent condition overall. There is evidence of light wear and handling to the Plexiglas box.
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“The peacock feathers—I feel like they have all these different points in history where they have a certain moment of interest and I think about classical mythology—they’re the eye of Hera. In the Metamorphoses there’s this beautiful story about Io and Jove… In Symbolism, late-nineteenth century, there’s this re-interest in peacock feathers, and in Surrealism they have this understanding of the eye quality. And then in 1966 there’s a big exhibition of Aubrey Beardsley’s work in London and there’s sort of a fashion for him and he’s crazy for peacock feathers… then at the same time, in men’s fashion there’s the Peacock Revolution; men’s fashion got exciting all of a sudden in 1966 and they called it the Peacock Revolution…But then, personally, my grandmother really loved green and blue and she loved peacock feathers. Her whole fashion sense and her sense of culture was really related to classicism and classical culture, but then she was always striving to be modern. But she was so backwards-looking that she was never engaged in a legitimate avant-garde—but she was always striving. And peacock feathers were always arranged in her house in a way for me that was emblematic of her forwards/backwards sense of culture. She died recently and so after she died, I became very attracted to peacock feathers.” - Carol Bove, 2006