- 194
Mendelssohn Bartholdy, Felix
Estimate
20,000 - 25,000 GBP
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Description
- Mendelssohn Bartholdy, Felix
- Fine autograph painting of the church of St Vincent, near Montreux and of Lake Geneva, from the album of Charlotte Moscheles
- watercolour
executed in watercolour, showing the church of St Vincent, Les Planches, above Montreux, with the lake and the Dents du Midi mountains in the background
c.8 x 12cm, on paper, in a card mount, framed & glazed (overall size: c.15 x 21cm), traces of mounting with red wax on verso, inscribed on the back of the frame ("Genfersee mit Dent du Midi aus Charlotte Moscheles' Stammbuch"), book label of the Mendelssohn scholar Max Friedrich Schneider, small tear from an earlier mounting carefully repaired on verso
c.8 x 12cm, on paper, in a card mount, framed & glazed (overall size: c.15 x 21cm), traces of mounting with red wax on verso, inscribed on the back of the frame ("Genfersee mit Dent du Midi aus Charlotte Moscheles' Stammbuch"), book label of the Mendelssohn scholar Max Friedrich Schneider, small tear from an earlier mounting carefully repaired on verso
Provenance
This painting derives directly from the family of Mendelssohn's sister, Fanny Hensel.
Literature
for Mendelssohn's drawings of Montreux and Chillon, see: M. Crumb, Felix Mendelssohn Bartholdy (Oxford 1972, plates 26 & 27), and for the watercolour in Ms. M. Deneke Mendelssohn c.49. fol. 97: see P.W. Jones, Mendelssohn, An Exhibition to Celebrate the Life of Felix Mendelssohn Bartholdy (1809-1847), (Oxford, 1997), item 69.
Condition
This watercolour is fresh, clear and detailed. It is quite small—smaller than the image in the printed catalogue (c.8 x 12cm). It is attached to a modern card mount and is held between two panes of glass (but without a proper wooden frame). The note of provenance to Charlotte Moscheles's album is on the back of this glass. There is a small tear from an earlier mounting at the lower left-hand corner, carefully repaired on verso.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This is an unrecorded water-colour painting by Mendelssohn.
Mendelssohn spent the summer of 1842 in Switzerland, a welcome break from his hectic concert schedule. With his wife Cécile he went to Lausanne, where Lobgesang was performed. On the 6 August he made a pencil sketch of the Château de Chillon, near Montreux (the Château itself is also just visible in this painting). Mendelssohn probably sketched this view of the church of St Vincent (some 700 metres above Montreux) at around the same time and, as with that drawing, subsequently made a watercolour version. He wrote to his mother on 18 August 1842: "Descriptions of Switzerland are impossible, and instead of keeping a diary as before, I am sketching furiously all the time...I must have at least one new sketch in my book every day..."