L13406

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Lot 123
  • 123

Burliuk, David, Vladimir Burliuk, and others

Estimate
2,000 - 3,000 GBP
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Description

  • Strelets [The Archer], edited by Aleksandr Belenson. St Petersburg, 1915-1916
  • Paper
Sbornik Pervyi [First Collection], 1915, [limited to 5000 copies], 12 plates by Rozanova, D. and V. Burliuk, Kul’bin, Siniakova and Lentulov; Sbornik Vtoroi [Second Collection], 1916, [limited to 500 copies], 1 coloured plate by Kulbin

2 volumes, 8vo (255 x 194mm., 254 x 186mm.), original pictorial wrappers, cover designs by Kulbin and Burliuk, inscriptions on title-pages, occasional slight marginal discolouration, rebacked, wrappers restored

Literature

Hellyer 493; Ex-Libris 244, 244a; The Russian Avant-Garde Book 114, 115, 124

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Strelets was a miscellany founded in 1915 by Alexander Belenson and within its pages are found the entire Hylaea group: Kruchenykh, Khlebnikov, Livshits, the Burliuks, Kamenskii and Mayakovsky, Symbolists such as Blok and Sologub, and other Avant-Gardists such as Evreinov and Lure. The first issue evoked wide-ranging responses from acceptance of the Futurists to refusal to condone the association of the literary establishment with the radical Futurists. The second number caused general indignation and alienated many who had accepted the first issue. The only Futurist represented is Mayakovsky whose erotic poetry caused a stir, and there were two anti-semitic pieces by Rozanov which also alienated many.