- 66
Zarina Hashmi
Estimate
6,000 - 8,000 GBP
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Description
- Zarina Hashmi
- Steps
- Cast paper
Edition 7 of 7
- 45.7 by 45.7 by 5 cm. (18 by 18 by 2 in.)
- Executed in 1981
Provenance
Acquired directly from the artist
Condition
Good overall condition. Natural paper casting variations inherent to work. With graphite-colored iridescence, not visible in catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
“Zarina Hashmi was born in Aligarh, India, in 1937 and has lived and worked in New York for the past 30 years. Her main medium is paper, which she employs in woodcuts, etchings, drawings, rubbings, and casts made from paper pulp. Although she is primarily a printmaker, she considers herself to be a sculptor as well, in part because the activity of carving blocks of wood is central to her practice. Zarina’s vocabulary is minimal yet rich in associations. Her abstract compositions are inextricably linked to her life and to the themes of dispossession and exile that have marked it. Even though her family is Muslim, they chose to stay in India following the partition of 1947, which caused the uprooting and deaths of millions of people. Eventually conditions in India made it impossible for them to stay there, but by the time her parents chose to immigrate to Pakistan in 1959, Zarina was married and living in Thailand. She was unable to return to her childhood home and was also not “at home” in Pakistan. She later lived in Germany, France, and Japan before settling in the United States. The concept of home—whether personal, geographical, national, spiritual, or familial—resonates throughout Zarina’s work. The line that defines her spaces is never anonymous; on the contrary, it is handcrafted and calligraphic. Although it appears in different guises throughout her oeuvre, her distinctive line is the unifying element of her compositions, like an umbilical cord that ties her to this world regardless of where she is.” (http://www.artic.edu/exhibition/zarina-paper-skin)
Zarina’s works are represented in numerous public and private collections. She is currently enjoying a landmark retrospective titled, Zarina: Paper Like Skin, featuring approximately 60 works which has been exhibited at the Hammer Museum, Los Angeles, and the Solomon R. Guggenheim Museum, New York. The next leg of the exhibition will open at The Art Institute of Chicago in June 2013.