Lee Man Fong
- Lee Man Fong
- Kampung (Village)
- Signed and stamped with two seals of the artist
- Oil on wood
- 100 by 200 cm.; 39 1/4 by 78 3/4 in.
- Executed CIRCA 1960s. This work is accompanied with the artist's orginal frame.
Private Collection, USA
Private Collection, Singapore
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Well known for his expansive landscape paintings, the present work is a depiction of a Javanese village scene, with the artist paying homage to rural life. Within the painting, Lee Man Fong provides a detailed study of a culture that was foreign to him, and has presented it as a universal portrayal of human relationships. People were a popular motif throughout his oeuvre, and Lee Man Fong often depicted them either alone in activities, or like Kampung (Village), colourful narratives that shared with the audience an intimate look into a country that may not be their own.
Lee Man Fong’s distinct painting style is evident in the present work. A pairing of traditional Chinese aesthetics, with delicate brushstrokes and a refined colour palette, the artist succeeds in capturing the quiet existence of the pastoral scene. Lee Man Fong expanded his creative language with his portrayals of the natural environment. Kampung (Village) alludes to the relationship that the artist had with nature, for the painting is ultimately a celebration of Java's rich foliage and wild life. Within in the scene there are a few villagers visible, further emphasizing the artist’s desire to draw attention to the natural beauty of the island.
It should be noted that the artist’s want to concentrate on village life, and the topography of the island, were not merely to beautify the paintings. Residing in Indonesia during the mid-forties provided Lee Man Fong with an intimate look at the political transitions that were taking a hold of the country during this period in history. A watchful bystander to the emergence of nationalist groups such as the Indonesian Drawing Masters Association (otherwise known as the Persagi), who sought independence from Dutch colonialist rule, Lee Man Fong’s many depictions of pastoral narratives may be a reference to the harmony that he hoped would return to the country.
Throughout his lifetime, Lee Man Fong expressed a desire to portray the Indonesian countryside, and the local people within a certain paradigm. Kampung (Village) perfectly exemplifies the artist’s understanding of these principles. Throughout the paintings he remains faithful to his goal of inspiring a universal respect for human friendships, and an appreciation towards the natural world.