Lot 325
  • 325

Fernando Zobel

Estimate
350,000 - 480,000 HKD
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Description

  • Fernando Zobel
  • Entierro Marino II (Interment at Sea II, After Joseph Mallord William Turner’s Peace - Burial at Sea)
  • Signed; Signed, titled, numbered 52 and dated 70 on the reverse  
  • Oil on canvas
  • 100 by 100 cm.; 39 1/4 by 39 1/4 in.

Provenance

Acquired directly from the artist

Condition

The work is in good condition overall. There is evidence of wear and handling on the edges but painting layers are well-preserved. There is a minor craquelure located on the lower left, near the artist's signature and faint spots of brown media accretions – which are only visible upon close observation. Under ultraviolet light inspection there is no evidence of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Fernando Zobel had always been fascinated by paintings based on paintings and at times engages in visual dialogues with works by Rembrandt, Mantegna, and Rubens, among others. The current work expresses Zobel's interpretation of Turner's "Peace - Burial at Sea".

Discussing his technique on his 1975 version of Mantegna's Triumph, he said, "Nothing would be left of the original and hypothetical triumph but a few echoes of painted fictions and a scattering of imperial words dealing with something else. A kind of vanitas or memento mori."1

Similarly, there is no visual recognition of Turner's original painting in the present work. Zobel kept only the dramatic sliver of light shining through the smoke columns and the line of the horizon, but they reduced into geometrical structure. Like a whisper and an echo in an alternate universe, the present work illustrates a minimalist aura yet resonates a spiritual presence which is powerful and soulful.

1Rafael Pérez-Madero, ZOBEL / LA SERIE BLANCA, Ediciones Rayuela, Madrid, 1978, p. 91.