- 18
An Important George II Gray Painted Oak Hall Settee in the Manner of William Kent circa 1740
Description
- oak
- height 54 1/2 in.; length 137 in.; depth 29 1/2 in.
- 138.5 cm; 348 cm; 75 cm
Provenance
Possibly anonymous sale, Sotheby's, London, March 9, 1982, lot 59A
Sold in these rooms, Ariane Dandois, October 26, 2007, lot 462
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This is the only surviving document picturing the room, although it seems that it was of considerable length with a further chimneypiece on the opposing wall. Unfortunately, the architect responsible does not appear to be recorded, although its Palladian grandeur owes much to the influence of the designs of Inigo Jones and William Kent published by Isaac Ware in Designs of Inigo Jones and Others, and by John Vardy in Some Designs of Mr. Inigo Jones and Mr. Wm. Kent, published in 1744, see fig. 1. In particular, certain elements of the design for the present settees appear in the latter, page 42, illustrating A Settee & Top for one, the paneled back and scrolled pediment being centered by a shell above a Vitruvian scroll ornamented panel, although the outwardly scrolled arms and stiff cabriole legs are less massive in their form than those shown in Kent's original design. This appears to have been originally commissioned by Sir John Dutton as part of a larger suite of seat furniture for his hunting and banqueting lodge at Sherborne' Gloucestershire in 1731. Supplied by the Royal Cabinetmaker James Moore, the suite included settees, stools and chairs, all made in mahogany (See: C. Gilbert, 'James Moore, the Younger, and William Kent at Sherborne House,' The Burlington Magazine, March 1969, pp. 148-149, figs. 51-54). Other hall furniture related to Kent's design for Sir John Dutton is at Houghton House, Raynham Hall and Ditchley Park, all of which are conceived in mahogany.
Originally the Rushbrooke settees were probably part of a larger group of seat furniture, which possibly also included the pair of smaller settees of identical design which were sold anonymously at Sotheby's, London, March 19, 1982, lot 59. In the same sale were a pair of settees (lot 59A), possibly the present lot. Both lots, of which only the first is illustrated in the catalogue, were in unpolished oak. The smaller pair were subsequently repainted and were sold from the collection of Lord Alastair McAlpine by Sotheby's at the sale of the contents of West Green House, Hampshire, May 16, 1990, lot 143.
Comparative Literature:
The Magazine Antiques, June, 1986, pp. 1278-1291
Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978, vol. II, pp. 324-326
Margaret Jourdain, The Work of William Kent, 1948, p. 153, fig. 101, the Ditchley Settees
C. Latham, 'Rushbrooke Hall', In English Homes, London, 1904, vol. I, pp. 125-129
Michael Wilson, William Kent, London, 1984, p. 101, fig. 26, the Raynham Hall Settees
J. Vardy, Some Designs of Mr. Inigo Jones and Mr. Wm. Kent, London, 1744
Isaac Ware, Designs of Inigo Jones and Others, London
Giles Worsley, England's Lost Houses, London, 2002, pp. 146-147