- 212
Sir Alfred James Munnings, P.R.A., R.W.S.
Description
- Rosie and Hazel Buxton meeting the Dunston Harriers
- oil on canvas
- 51 by 61cm., 20 by 24in.
- Executed circa 1908.
Provenance
Sothebys, London, 19 June 1974, lot 81, from where purchased by H. Bauman
Exhibited
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In the present work, Munnings' energetic brushstrokes boldly capture this passing moment, consummately evoking the forms of the horses and their riders in a sun-filled landscape. A lover of painting outdoors, Reginald Pound wrote: ‘The call of the sun was one of the strongest forces in his career. No one remembers seeing him willingly at work indoors on a sunlit day’ (Reginald Pound, The Englishman, Heinemann, London 1962, p.47). The present work is testament to Munnings' spontaneous nature and devotion to plein air painting. It was likely executed circa 1908, a year or two after Munnings made a charcoal drawing of Rosie at an easel in 1906 called, In the Barn; A Study of Rose Buxton Sketching a Horse.
We are grateful to Lorian Peralta-Ramos for her kind assistance with the cataloguing of the present work.