[Gaskell, Elizabeth]

8vo (170  London: x 105mm.), first edition, original dark green ripple-grain cloth, covers blocked in blind, pale yellow endpapers, later chemise and morocco-backed slipcase, tear at inner margin of title-page repaired, signature on front free endpaper, slight browning, hinges expertly repaired, spine faded and chipped at head and foot

Jean Hersholt, bookplate.

Parrish, p.90; Sadleir 925; not in Wolff.

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

First edition of one of the author's best-loved works, which first appeared as a series of episodes in Household Words, and which was not originally planned as a novel. The tale of two sisters, Deborah and Matty Jenkins, and their genteel circle of women friends has always been valued for its humour. Its clever experiment with narrative voice and structure have won increasing recognition while its profound analysis of ‘community’ and of women's lives has recently been reappraised by feminist critics (see Jenny Uglow, Oxford DNB).