- 9
David Bomberg
Description
- David Bomberg
- Mt. Scopus and Government House
- oil on canvas
- 19 3/4 by 24 3/4 in.
- 50 by 63 cm.
- Painted in 1923.
Provenance
Acquired by Mr. Margulies at the Ben Uri Gallery, June 21, 1968
Exhibited
Jerusalem, Israel Museum, David Bomberg in Palestine, October 18, 1983 – Janurary 18, 1984
London, Ben Uri Gallery, David Bomberg in the Holyland, 1923-1927, Janurary 30- February 29, 1984
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Bomberg’s years in Mandate Palestine from 1923 to 1927 proved to be a turning point his career. His delight in the intense sunlight and defined forms of the beautiful panoramas of the land quickly became an obsession and inspired the artist to begin painting in the open air. Although he painted a few canvases depicting the pioneer workers, he preferred to study the endless changes of the landscape in the different light and the British officers in Jerusalem became his biggest patrons.
Mount Scopus and Government House (offered here) is an important example of Bomberg’s masterful work in Palestine. Painted the year of his arrival, the work is characterized by a strong, expressive hand and broad brush strokes. The lines of the land dominate the buildings which are few and small in dimension and figures are non-existent. Encompassing all is the full force of the dazzling white light of the Jerusalem summer.
Stephanie Rachum summarizes this period in Bomberg's work and notes: “For Bomberg the artist, the encounter with the Holy Land was to prove pivotal. While there he moved from a topographic realism with strong cubist underpinnings toward a personal mode of expression. As early as 1923, in his paintings of Jerusalem by moonlight and in such works as Mount Scopus and Government House, one can already discern the beginning of a freer style. This freer style develops side by side with his almost photographic depictions and can be recognized in such works as The Monastary of St. George. By 1927, just before leaving Palestine, he did a painting of Jerusalem in which two-thirds of the canvas was composed of broad, strong, expressive brushstrokes which rendered the land as felt rather than optically experienced. The period in Palestine had been one of transition; Bomberg’s search for a personal expression of essence had begun. The paintings stand as witness.” (Stephanie Rachum, “David Bomberg: Views from the Jewish-Zionist Side” in David Bomberg in Palestine 1923-1927, The Israel Museum (exhibition catalogue), Jerusalem, 1983, p. 24).