- 24
Robert Rafaelovich Falk
Description
- Robert Rafaelovich Falk
- Porte Saint-Martin, Paris
- signed in Latin l.l.
- oil on canvas
- 64.5 by 80cm, 25 1/2 by 31 1/2 in.
- Executed circa 1935
Provenance
Thence by descent to the grandson of the above
Acquired directly from the above by the present owner
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
'All I paint are the streets of Paris,' Robert Falk would write more than once in his letters to his mother from France, and the boulevards of the French capital were indeed among his favourite subjects during the 1930s. The present work depicts the famous Porte Saint-Martin located on the boulevard of the same name. In the distance, one can see another triumphal arch, the Porte Saint-Denis. A similar composition executed in gouache is thought to be a study for the present work.
Falk left Russia in 1928 with the authorisation of the Soviet authorities, and would remain in France until his return to the Soviet Union in 1937. During this period, the artist turned to a more impressionistic manner of painting, creating views of the bustling streets of Paris that are full of air and light. Paintings like Porte Saint-Martin also recall the early works of Konstantin Korovin, who had been one of Falk's teachers at the Moscow School of Painting, Sculpture and Architecture.
The painting was acquired by the Israeli composer Yedidya Admom (Gorokhov), who had known Falk personally while living in Paris in the 1930s. His collection comprised around twenty paintings by the artist. The reverse of the canvas shows a composition with a red house, which is thought to date from circa 1910. Falk is known to have reused older canvases on more than one occasion.
We would like to thank Yulia Didenko for providing additional cataloging information. The painting will be included in her forthcoming supplement to the artist's catalogue raisonné.