A group of miscellaneous volumes of catalogues and literature about important collections of needlework

Approximately 37 vols.  Including Frank Partridge & Sons, A Collection of Old English Needlework (June –July 1934); Margaret B. Freeman, The St. Martin Embroideries (New York: The Metropolitan Museum of Art, 1968); English and Other Needlework: The Irwin Untermyer Collection (London: Thames and Hudson, 1960); and Wingfield Derby and Wendy Hefford, The Devonshire Hunting Tapestries (London: Her Majesty’s Stationery Office, 1971); a set of Witney Antiques catalogues including Samplers: ‘A School Room Exercise’ (1994); and a set of Cora Ginsburg catalogues including ‘Costume, Textiles, Needlework’ (1995). 

Also including:

Liz Arthur, Embroidery 1600–1700 at the Burrell Collection (London: Glasgow Museums and John Murray Publishers, 1995), two copies



Xanthe Brooke, The Lady Lever Art Gallery: Catalogue of Embroideries (Wolfeboro Falls, New Hampshire: Alan Sutton, 1992)



“The Richmond Needlework Collection,” Christie's London (June 14, 2001)



“The Contents of Benjamin Ginsburg, Antiquary, including the Property of Cora Ginsburg,” Christie's New York (October 14/15, 1983)



“An Important Collection of Needlework ,” Christie's South Kensington (June 23, 1987)



Christie's South Kensington, Costumes and Textiles, March 3, 1998



Cora Ginsburg, “Costume, Textiles Needlework” (1995)



Cora Ginsburg, “Costume, Textiles Needlework” (1996)



Cora Ginsburg, “Costume, Textiles Needlework” (1997)



Cora Ginsburg, “Costume, Textiles Needlework” (Winter 2001)



Cora Ginsburg, “Costume, Textiles Needlework” (Winter 2007)



Frank Partridge & Sons Ltd., “A Collection of Old English Needlework” (June–July 1934)



Margaret B. Freeman, The St. Martin Embroideries (New York:  The Metropolitan Museum of Art)



Yvonne Hackenbroch, English and other Needlework: The Irwin Untermyer Collection (London:  Thames and Hudson, 1960)



Santina M. Levey, An Elizabethan Inheritance: The Hardwick Hall Textiles (London: The National Trust, 1998)



Mallett, “The Needle's Excellency and Other Textiles” (1997), two copies



Mallett, “Needlework:  A Fine Art” (1997)



Mallett & Cora Ginsburg, “An Exhibition of Needlework” (January 21–February 1, 2002)



Phillips Auctioneers, “Embroideries, Lace, Costume, Textiles & Fans” (November 21, 2001)



Sotheby's London, “Important European and Oriental Costume, Textiles and Fabric Swatch Books Including the Madder Market Collection of Period Costumes” (Mar 13, 1997), three copies



George Wingfield Derby and Wendy Hefford, The Devonshire Hunting Tapestries (London: Her Majesty's Sationery Office, 1971)



Witney Antiques, “Samplers: 'A School Room Exercise'” (1994)



Witney Antiques, “Samplers: 'A School Room Exercise'” (1994)



Witney Antiques, “Samplers: House and Garden” (1995)



Witney Antiques, “Samplers: Town and Country” (1997)



Witney Antiques, “How Fragrant the Rose Exhibition: Samplers and Historic Embroideries, 1650–1850” (1998)



Witney Antiques, “When this You See Remember Me': British Samplers and Historic Embroideries” (2001)



Witney Antiques, “Diligence, Industry and Virtue: British Samplers and Historic Embroideries” (2002)



Witney Antiques, “On this Fair Sampler Does My Needle Write: Samplers and Historic Embroideries” (2004)



Witney Antiques, “Samplers & Historic Embroideries, Recent Additions” (2005)



Witney Antiques, “Samplers: Mapped & Charted” (2005)



Witney Antiques, “Samplers & Historic Embroideries, Recent Additions” (2006)



Witney Antiques, “Changing Styles: The Eighteenth Century One Hundred Years of Sampler Making” (2007)



“Volkskunst: Zeitschrift fur Volkstumliche Sachkultur” Heft III (Munchen: February 1979)



E. Albrecht-Mathey, The Fabrics of Mulhouse & Alsace 1750–1800 (Leigh-on-Sea, England:  F. Lewis Publishers, 1968)

The Joan Stephens Collection, sold Sotheby’s, January 19, 1997, lot 2138 (part)