Follower of Taddeo Zuccaro

Sale, London, Christie's, 10 July 1962, lot 108 (as Abraham Bloemaert), purchased by Ralph Holland

Newcastle, 1964, no. 30 (as Italian School, second half of the 16th Century);
Newcastle, 1974, no. 13 (as ? Florentine, c. 1550-1580);
London, 1975, no. 16 (as ? Florentine, c. 1550-1580)

Clifford, 1974, p. 354 (with suggestion that it is very close to Boscoli)

Laid down on old mount, which in turn is floated on a modern mount. Small holes top left corner. Tear and some damage at left edge near the fire. Small hole in grassy bank towards right edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This very engaging drawing has eluded attribution, in spite of its distinctive character.  There are reminiscences of the Zuccari, but it could be by a Roman or a Florentine artist, such as Gregorio Pagani (1558-1605).  It is probably a design for a fresco decoration.

Thetis entrusted her son Achilles to the care of the centaur Chiron who 'taught him the art of war and made him master of music, and by feeding him with the marrow of wild beasts, rendered him vigorous and active.'¹

1.  J. Lempriere, A Classical Dictionary, London 1911, p. 6