- 59
Greek art
Estimate
3,000 - 4,000 GBP
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Description
- A collection of 18 volumes, folio and large 4to, including:
- paper
Smith, Cecil H. Collection of J. Pierpont Morgan. Bronzes, Antique Greek, Roman, etc. Paris, 1913, coloured plates and illustrations, fine blue morocco gilt by Pagnant, top edge gilt
Zanetti, A. Ancient Statues Greek and Roman, designed from the celebrated originals. London, 1800, 100 engraved plates, nineteenth-century half calf, some spotting, title and first plate backed, binding worn
Schreiber, T. Die Hellenistischen Reliefbilder. Leipzig, 1894, plates, each with accompanying printed outline tracing, contemporary half morocco, spine very slightly faded and rubbed
Collignon, M. Le Parthénon. Paris, [c.1914], 136 photographic plates, illustrations in text, loose as issued in original boards portfolio, ties, book label of Henry Blackmer, rebacked
Burlington Fine Arts Club. Exhibition of Ancient Greek Art. London, 1904, plates, modern buckram
Furtwängler, A. Die Sammlung Sabouroff, Kunstdenkmäler aus Griechenland. Berlin, 1883-1887, 2 volumes, plates, illustrations, contemporary morocco-backed boards, top edges gilt, very slightly rubbed
Caskey, L.D. and J.D. Beazley. Attic Vase Paintings in the Museum of Fine Arts, Boston. 1931-1954, 4 volumes (2 text and 2 plates), plates, illustrations, modern cloth, ex-library copies with some stamps, etc., 2 plates in text vol. with repair, spines slightly rubbed
Ibid. Another copy, 2 plate volumes only, original cloth-backed boards portfolio, slightly worn
Biardot, E.P. Les Terres-cuites Grecques funèbres. Paris, 1872, half-title, title and 54 lithographed plates, some coloured, loose as issued in original portfolio (worn)
Branteghem, A. van. Collection van Branteghem. Catalogue des monuments antiques, vases peints, terres cuites. Paris, 1892, auction catalogue (Hotel Drouot), number 15 of 20 copies on papier Japon, inscribed by Branteghem, coloured and plain plates, modern cloth, spine worn at foot
And 3 others, all folio and large 4to
Zanetti, A. Ancient Statues Greek and Roman, designed from the celebrated originals. London, 1800, 100 engraved plates, nineteenth-century half calf, some spotting, title and first plate backed, binding worn
Schreiber, T. Die Hellenistischen Reliefbilder. Leipzig, 1894, plates, each with accompanying printed outline tracing, contemporary half morocco, spine very slightly faded and rubbed
Collignon, M. Le Parthénon. Paris, [c.1914], 136 photographic plates, illustrations in text, loose as issued in original boards portfolio, ties, book label of Henry Blackmer, rebacked
Burlington Fine Arts Club. Exhibition of Ancient Greek Art. London, 1904, plates, modern buckram
Furtwängler, A. Die Sammlung Sabouroff, Kunstdenkmäler aus Griechenland. Berlin, 1883-1887, 2 volumes, plates, illustrations, contemporary morocco-backed boards, top edges gilt, very slightly rubbed
Caskey, L.D. and J.D. Beazley. Attic Vase Paintings in the Museum of Fine Arts, Boston. 1931-1954, 4 volumes (2 text and 2 plates), plates, illustrations, modern cloth, ex-library copies with some stamps, etc., 2 plates in text vol. with repair, spines slightly rubbed
Ibid. Another copy, 2 plate volumes only, original cloth-backed boards portfolio, slightly worn
Biardot, E.P. Les Terres-cuites Grecques funèbres. Paris, 1872, half-title, title and 54 lithographed plates, some coloured, loose as issued in original portfolio (worn)
Branteghem, A. van. Collection van Branteghem. Catalogue des monuments antiques, vases peints, terres cuites. Paris, 1892, auction catalogue (Hotel Drouot), number 15 of 20 copies on papier Japon, inscribed by Branteghem, coloured and plain plates, modern cloth, spine worn at foot
And 3 others, all folio and large 4to
Condition
the condition of this lot is as described in the catalogue description
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."