Feng Chaoran (1882-1954)

signed PILING FENG HUI, dated the first year of the Xuantong reign, 1909, inscribed, and with two seals of the artist

〈馮超然年譜〉，鄭威、馮天虬編著（上海書畫出版社，二○○七年十二
月），頁31 及圖版18
〈中國近現代繪畫叢刊 ─ 馮超然〉（台北，雅墨文化事業有限公司，二
○○八年一月），圖版2
〈嵩山居士．清秀疏朗 ─ 馮超然生平簡述及作品賞析〉，刊於〈大觀〉月
刊第十五期（台北，雅墨文化事業有限公司，二○一○年十二月），頁27

-Light foxy could be found on the painting, which could be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅乃畫家筆下最早仕女畫之一，取羅浮春夢之意入圖，並錄沈
約齋〈江梅引〉一闋。畫中臨窗幃幔半垂，仕女倚臂撗卧。窗外臘梅枝
椏密聚成叢，枝梢點點潔白如霜，似萬玉相綴，而烟霞飄掠，迥盪於
枝叢中。入眼者，月色清冷，正是羅浮香夢之景象也。畫中構圖簡
潔，虛實互應，仕女仍見清中晚期畫風之影響，從中可窺見畫家筆下
人物畫演變過程中階段性的面貌。