- 104
A BLUE AND WHITE 'DRAGON' DISH ZHENGDE MARK AND PERIOD
Description
- Porcelain
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Closely related examples, all bearing the four-character reign mark that is characteristic of this group of dishes, are found in museums and collections around the world; see one in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Blue and White Porcelain with Underglazed Red (II), Shanghai, 2000, pl. 63; one in the Capital Museum, Beijing, published in Zhongguo taoci quanji, vol. 12, Shanghai, 2000, pl. 138; another in the Shanghai Museum, included in Wang Qingzheng, Underglaze Blue and Red, Hong Kong, 1993, pl. 116; and a fourth example in the Meiyintang collection, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 4, pt. I, London, 2010, pl. 1679. For the Xuande prototype see one excavated at the waste heaps of the Ming imperial kilns, published in Lu Minghua, Mingdai guanyao ciqi, Shanghai, 2007, pl. 3-119.
A dish of this design is shown on the sixth scroll of the Guwan tu (Imperial Collection of Yongzheng), dated to the sixth year of his reign (1728), which was sold in our London rooms, 19th May 1939, lot 62, and is now in the British Museum, London, from the Sir Percival David collection.