Italian, 17th century

Overall the condition of the marble is good. There is some wear, weathering and dirt to the surface consistent with age and placement outside including areas of pitting to the face and fingers of the proper left hand. There is some naturally occurring veining visible on the surface, particularly on the reverse. There are areas of restoration to the tail of the dolphin and the back and top of the putto's head. There are chips throughout including larger losses to the tip of the proper left wing/fin, proper right foot and to the right of the base. There is a round hole to the underside.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The spirited fluid movement of the hippocamp with flowing tousled mane and body terminating in a dolphin's tail and the deeply drilled locks of the putto's hair point to a sculptor working in the tradition of the Roman Baroque fountain sculptures so popularized by Gian Lorenzo Bernini.