Northern French or Flemish, circa 1600

Christie's London, 15 December 1982, lot 62

Overall the condition of the marble is good with wear, weathering and dirt to the surface consistent with age and exposure to the elements. There is naturally occuring veining throughout. Some of the veins are slightly open; some of these have been filled. There are a number of chips, including to the edges of the drapery, in particular to the lace at the back of the neck, to the back, and to the nose. The fingers and tip of the right thumb are lost. The front of the base has been reattached and there is a possible restoration to a section of the forehead. The proper left side has been left roughly hewn, in accordance with the figure's placement.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This figure of a young girl follows a type of kneeling mourner made for tombs that were popular in France from the late Middle Ages, but were replicated in the Netherlands and, eventually, in England by the late 16th century. Her elaborate clothing suggests that she was the daughter of a dignitary; her eternal grief set in stone and placed upon the tomb. The child wears a cross pattée.