L13230

/

Lot 212
  • 212

Carl Vilhelm Emil Milles

Estimate
30,000 - 40,000 GBP
Log in to view results
bidding is closed

Description

  • Carl Vilhelm Emil Milles
  • Venus
  • signed: Carl Millès and inscribed: BB for the Billesdhuggernes Bronscestoberi foundry
  • bronze, black-green patina
numbered: 1/12

Provenance

Millesgården, Lidingö, Stockholm (inv. no. M168)

Condition

Overall in good condition with the usual very minor light scratches to surface consistent with age and handling. The sculpture needs to be screwed to a pedestal in order to stand.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The present sculpture of Venus, ancient Greek goddess of love, emerging from her shell, like a pearl of the sea has until recently been exhibited at the Millesgården in Stolkholm, once the home of the artist and today a museum dedicated to his life and work.


Carl Milles was fascinated by the forms of sea creatures, intrigued by their movement in and harmony with water. In his lifetime he created a dynamic series of fountains and water features that incorporated his models of sea-dwelling creatures, as recorded in Verneuil (op. cit.). The legend of Venus as a goddess born out of the froth of the sea and carried ashore on a shell inspired Milles’s creative imagination. The present bronze was modelled in 1917 for a fountain that was to be placed in front of the Swedish Academy in Stockholm. The movement of her hair and scarf evokes the stirring sea breeze. The fine balance of the tipping shell and leaning Venus suggests the motion of the waves and demonstrates Milles’s technical skills as a sculptor.


Milles was at the time strongly influenced by wartime Europe and increasingly turned to a lighter mythological world in his works, creating a natural universe that he could understand and admire.


RELATED LITERATURE
M.P. Verneuil, Carl Milles. Sculpteur Suédois, Paris/ Brussels, 1929, pl. 19-27 and 126-128; E. Bénézit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, Gründ, 1999, vol. ix, pp. 637-638