Italian, probably Padua, 16th century

Overall the condition of the bronze is good with wear and some dirt to the surface consistent with age. The patina has some flaking and rubbing throughout revealing several coloured lacquers. There are some minor casting flaws including slight lacunae at the proper right shoulder, the belt at the front and the hip at the proper right side. The proper left index finger and thumb are slightly bent. There are minor losses to the edges of the marble base. The marble is naturally veined, some veins have lost some material.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Compare with the figure of Judith with the head of Holophernes sold at Christie's on 4 July 1989, lot 136. Small bronzes such as the present figure were intended to resemble antiquities. See, for example, the bronze Marcus Aurelius offered in these rooms on 5 July 2003, lot 69. The present bronze would have been made in the same world as Riccio's famous Shouting Horseman, of which there is a cast in the Victoria and Albert Museum, London (inv. no. A.88:1, 2-1910).