L13025

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Lot 383
  • 383

Thomas Struth

Estimate
60,000 - 80,000 GBP
bidding is closed

Description

  • Thomas Struth
  • Audience 07 Galleria Dell'Accademia, Florence
  • signed on a label affixed to the reverse; numbered 3/10 on the reverse
  • Chromogenic print in artist's frame
  • 185 by 293.8cm.; 72 7/8 by 115 5/8 in.
  • Executed in 2004, this work is number 3 from an edition of 10.

Provenance

Marian Goodman Gallery, New York
Acquired directly from the above by the present owner 

Literature

Exhibition Catalogue, Madrid, Museo del Prado, Thomas Struth: Making Time, 2007, p. 83, and pp. 88-9, illustration of another example in colour
Anette Kuszynski, Ed., Thomas Struth: Photographs 1978 - 2010, New York 2010, p. 47, illustration of another example in colour

Condition

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“The idea behind the museum photographs was to retrieve masterpieces from the fate of fame, to recover them from their status as iconic paintings, to remind us that these were works which were created in a contemporary moment, by artists who had everyday lives. They can be admired but revering the artist and their work can also be an impediment. In essence, I wanted to bring together the time of the picture and the time of the viewer.”

The artist cited in: Lothar Schirmer and Erik Mosel, Eds., Thomas Struth: Photographs 1978-2010, Munich 2010, p.138.