- 352
Dexter Dalwood
Estimate
15,000 - 20,000 GBP
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Description
- Dexter Dalwood
- The Liberace Museum
- oil on canvas
- 152 by 183cm.; 59 7/8 by 72in.
- Executed in 1998.
Provenance
Acquired directly from the artist by the present owner in 1998
Exhibited
London, Saatchi Gallery, 1999, New Neurotic Realism, u.p., illustrated in colour
Condition
Colour:
The colours in the catalogue illustration are fairly accurate, although the pink floor is slightly brighter in the original.
Condition:
This work is in very good condition. Very close inspection reveals a minute rub mark to the lower left corner. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In line with Dexter Dalwood’s distinctive depictions of imagined and constructed interiors Liberace Museum is a vibrant vision of the luxurious home of the grand pianist Valentino Liberace.
Employing the classical genre of ‘History Painting’, the artist references pivotal historic people and moments through an intricately woven web of elusive allusions and ingeniously codified quotations. Interlacing personal and social histories with illustrious art historical iconographies, Dalwood creates compelling and manifold painterly landscapes and interiors with subtle underlying meanings and interpretations. Impressive in their size and adept painterly technique Dalwood works resonate “with immediate painterly pleasure” (Tom Morton, ‘History of the Eye’, in: Exhibition Catalogue, New York, Gagosian Gallery, Dexter Dalwood, 2004, p. 3).
With elaborate details and an ineffable atmospheric presence Dalwood creates intimate and captivating ‘portraits’ of infamous personalities that have shaped our collective cultural memories. Infused with the artist’s sophisticated intellect and wit Liberace Museum is an intimate image of the eccentric pianist. Despite being devoid of any actual figure the master’s grand aura endures. The elegant black piano is placed on a glistening round floor, forming the focal point of the composition. Homage to the musician’s flamboyant personality the entire scene is bathed in a bright pink colour scheme and the traditionally masculine design of the classic pinstripe is rendered in a bold fuchsia. The expected decadence of a lavish showbiz residence is epitomised through the romantically gilded staircase and plush carpets.
With its vivacious colouring and delicate details Liberace Museum is both a striking painterly vision and an intricately constructed historical portrait that beautifully exemplifies Dalwood’s unique ability to create an elaborate imaginative environment with a potent immediacy and verisimilitude.
Employing the classical genre of ‘History Painting’, the artist references pivotal historic people and moments through an intricately woven web of elusive allusions and ingeniously codified quotations. Interlacing personal and social histories with illustrious art historical iconographies, Dalwood creates compelling and manifold painterly landscapes and interiors with subtle underlying meanings and interpretations. Impressive in their size and adept painterly technique Dalwood works resonate “with immediate painterly pleasure” (Tom Morton, ‘History of the Eye’, in: Exhibition Catalogue, New York, Gagosian Gallery, Dexter Dalwood, 2004, p. 3).
With elaborate details and an ineffable atmospheric presence Dalwood creates intimate and captivating ‘portraits’ of infamous personalities that have shaped our collective cultural memories. Infused with the artist’s sophisticated intellect and wit Liberace Museum is an intimate image of the eccentric pianist. Despite being devoid of any actual figure the master’s grand aura endures. The elegant black piano is placed on a glistening round floor, forming the focal point of the composition. Homage to the musician’s flamboyant personality the entire scene is bathed in a bright pink colour scheme and the traditionally masculine design of the classic pinstripe is rendered in a bold fuchsia. The expected decadence of a lavish showbiz residence is epitomised through the romantically gilded staircase and plush carpets.
With its vivacious colouring and delicate details Liberace Museum is both a striking painterly vision and an intricately constructed historical portrait that beautifully exemplifies Dalwood’s unique ability to create an elaborate imaginative environment with a potent immediacy and verisimilitude.