L13025

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Lot 233
  • 233

David Hockney

Estimate
8,000 - 12,000 GBP
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Description

  • David Hockney
  • Henry Geldzahler
  • oil on cut-out canvas
  • 31.5 by 24.5cm.; 12 by 9 5/8 in.
  • Executed in 1973.

Provenance

Acquired directly from the artist by the present owner in 1973

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the canvas tends more towards a soft cream in the original. Condition: This work is in very good condition. Very close inspection reveals some minor discolouration in places to the loose threads, as well as a very faint and unobtrusive spot of discolouration to the figure's forehead. Further extremely close inspection reveals a small number of tiny dust particles adhering to the surface in places.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

David Hockney executed the present work, a mask of his great friend Henry Geldzahler, to wear at a masked ball they attended together in 1973 along with Ossie Clark. Then curator at the Metropolitan Museum, and a few years later Cultural Commissioner of New York City, the witty and eccentric Gelzahler introduced Hockney to the New York art scene. Their friendship was rooted in a mutual passion for and profound knowledge of art - the subject of countless conversations and heated debates. Indeed, some of Hockney’s most intimate portraits are of his great and flamboyant friend. As Hockney recalls: “I realise he asked me to draw him because that’s what he always wanted me to do” (the artist quoted in: Sara Howgate, David Hockney: Portraits, London 2006, p. 226).