L13023

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Lot 134
  • 134

Piero Manzoni

Estimate
180,000 - 250,000 GBP
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Description

  • Piero Manzoni
  • Achrome
  • cotton wool balls mounted on wood
  • 40 by 29cm.; 15 3/4 by 11 3/4 in.
  • Executed in 1961.

Provenance

Collection Gianni Malabarba, Milan
Acquired directly from the above by the present owner

Exhibited

Rome, Palazzo delle Esposizioni, Roma Anni 60, 1990, p. 69, illustrated

Literature

Germano Celant, Piero Manzoni Catalogo Generale, Milan 1975, p. 240, no.19 cr, illustrated
Freddy Battino and Luca Palazzoli, Piero Manzoni Catalogue Raisonné, Milan 1991, p. 375, no. 731, illustrated
Germano Celant, Piero Manzoni Catalogo Generale, vol. II, Milan 2004, p. 509, no. 759, illustrated

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality of the cotton wool is warmer and tends more towards a soft cream in the original. Condition: This work is in very good and original condition. There is light consistent wear with associated minor discolouration to the outer exposed edges of the cotton wool. Upon very close inspection, there are a small number of tiny media specks in places.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“Reshufflings and modifications remain a part of the past. A new language and a total transformation are needed. The old language must be abandoned altogether. An artist can use only the materials (ideas and forms) of his time.”

Piero Manzoni in Germano Celant, Piero Manzoni, Milan 1998, p. 140