- 23
Aimé-Jules Dalou
Estimate
8,000 - 12,000 GBP
bidding is closed
Description
- Aimé-Jules Dalou
- Le baiser du faune (the kiss of the faun)
- signed: DALOU
- bronze, dark brown patina
stamped: CIRE / PERDUE / AA HEBRARD and numbered: A.10
Provenance
Ader Picard Tajan, Paris, 4 December 1972, lot 19
Exhibited
Arp Museum Bahnhof Rolandseck, Remagen, Superfranzösisch. Kunstkammer Rau, 2010
Literature
O. Kornhoff, Superfranzösisch. Kunstkammer Rau, exh. cat. Arp Museum Bahnhof
Rolandseck, Remagen, Cologne, 2010, pp. 44 and 112
Rolandseck, Remagen, Cologne, 2010, pp. 44 and 112
Condition
Overall the condition of the bronze is good with dirt and wear to the surface consistent with age. There is green spotting to the surface throughout. There are a few small casting flaws to the crevices.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Dalou has achieved a remarkable tension between the two figures, as the nymph attempts to resist the faun's advances pushing her hands against his chest, and yet failing to step away from him. As the bronze turns she almost appears to sink into his embrace. Whilst Dalou is well-known for imbuing his subjects with tender emotions, here he creates a more passionate mood. In 1978, Galerie Delestre exhibited an early terracotta sketch for the group which shows the nymph relaxed and returning the embrace. Evidently Dalou chose rather to increase the element of romantic conflict within the group, giving it a dramatic sense of uncertainty.
Le Baiser du Faune was commissioned from Aimé-Jules Dalou by Monsieur Henri Vever and modelled between 1890 and 1894. A unique bronze cast was made for Vever and it was not until after Dalou's death that editions were cast by the Hebrard and Susse foundries.
RELATED LITERATURE
Dalou Inédit, exh. cat. Galerie Delestre, Paris, 1978, no. 14