A RARE AND UNUSUAL PALE CELADON JADE BELT HOOK QING DYNASTY, 18TH CENTURY

in the form of a phoenix, its head as the hook terminal with bulging eyes and a crest terminating in a ruyi-head, the shaft carved in high relief with folded wings, extending to curling tail feathers, the back with a circular knob for attachment, the stone of pale celadon color with white inclusions

English private collection.

The belt hook is in overall good condition, with a few minor nicks to the edges.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

In China, the phoenix is considered the king of the birds. It also represents the empress, with the dragon representing the emperor. In this context the phoenix and dragon are embodiments of yin and yang, the opposing principles that govern the universe. The phoenix is also an auspicious bird that symbolizes virtue and grace, and as such, there are many representations of the bird in jade. Belt hooks carved in the form of phoenix, are however, very rare. 

The form of the phoenix in the present lot, with tufts of feathers resembling ears on the side of its head, is reminiscent of the bird often seen on champion cups, sometimes referred to as hawks or eagles. For Qianlong period examples, see one sold in our London rooms, 22nd November 2000, lot P367, and one sold at Christie's New York, 27th November 1991, lot 176.

The wings of the present lot are carved with the profiles of archaistic phoenix, which was a motif much favored by the Qianlong emperor and his love for archaism.