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A RED SANDSTONE STELE INSCRIBED WITH A SUTRA, CHUANG TANG DYNASTY, DATED IN ACCORDANCE WITH AD 898
Description
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
On the eleventh day of the seventh month in the fifth year of the Qianning period [corresponding to AD 898, Tang dynasty], [Buddhist] follower Yang Yanzhen, together with his whole family, initiated to make this sutra pillar, for all the Nāga [dragon gods] in the twenty-eight heavens, or those in the present land. Repaying the four kindnesses, aiding the three lower realms, [wishing for] those fallen into the dark, kings, [parivāra], homeless ghosts, as well as parents, with the aid of the merits and virtues [of the present deed], to be reborn in the Pure Land. May all sentient beings in Dharmadhātu benefit [from it].
The efficacious version of [Sarvadurgatipariśodhana] Usnisa Vijaya Dharani[Sutra] with additional text.
Tang stelae of this type, inscribed with the sutra, were inspired by earlier, 5th century, stelae found in cave temples, such as one dated in accordance with AD 428 and now in the collection of the Gansu Provincial Museum, Lanzhou, illustrated in Angela Falco Howard et al., Chinese Sculpture, New Haven and Beijing, 2006, p. 216, pl. 3.15, which was donated by Gao Shanmu from Jiuquan during the Northern Liang period (AD 398-439). This stele consists of five parts and in addition to the inscription is also decorated with seven seated Buddhas and the bodhisattva Maitreya.
Compare further two Northern Liang period stelae of this type published in Zhongguo meishu quanji [Complete series on Chinese art], vol. 3, Beijing, 1988, pls. 31-32, the former in the Jiuquan City Museum, Gansu province and the latter in the Gansu Provincial Museum in Lanzhou; and a third, attributed to the mid-5th century, in the Museum of Indian Art, Berlin, illustrated in Matsubara Saburō, Chūgoku bukkyō chōkoku shiron/Chinese Buddhist Sculpture, Tokyo, 1995, plate vol. 1, pl. 30a.