Lot 46
  • 46

French Literature, Renaissance to Modern

Estimate
30,000 - 50,000 USD
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Description

  • paper
A fine group of 27 titles, 1570 - 1953, as follows:

Tahureau, Jaques. Les Diagloues [sic] … Gentilhomme du Mans, Non moins profitable que facetieus [sic]. Paris: Gabriel Buon, 1570, 12mo, woodcut vignette on title, woodcut headpiece and decorative initial, red morocco, triple-fillet border, spine gilt, edges gilt, dentelles, by Trautz-Bauzonnet, Tchemerzine X, 342 — [Aubigné, Théodore-Agrippa d’]. Les Avantures du Baron de Faeneste. Comprinses en quatre Parties.  Au Dezert: [Geneva: P. Aubert] for the author, 1630, 8vo, woodcut device on title and decorative initials; some light browning, a few marginal spots on title, dark-green morocco, goldstamped fleurons at four corners, dentelles, edges gilt, by Trautz-Bauzonnet. First complete edition of the four parts, second issue “contrefaçon” (DeBacker). Tchemerzine I, 175 — Bouchet, Guillaume. Serres de … Livre Premier [-Second]. Rouen: Louys & Daniel Loudet, 1635. 8vo, woodcut title vignette; light browning and marginal spotting. 18th-century mottled calf, triple-fillet border, spine gilt, red edges, “Ex libris R. H.” dated 1909; joints cracked, extremities rubbed. 36 after-dinner dialogues first published in 1584. — Longus. Les Amours Pastorales de Daphnis et Chloé. [Paris: Quillau], 1718. 8vo, additional engraved title by Benoît Audran after A. Coypel, engraved headpiece by Scotin, 6 engraved initials, 28 engraved plates of which 13 are double-page, by Audran after Philippe, duc d’Orléans, with the “petits pieds” plate after the Comte de Caylus (engraved in 1728) bound at the end; lower margins of A1 and A8 discolored, small repaired tear in leaf A2, contemporary red morocco, triple-fillet border, spine gilt, edges gilt, extremities rubbed, a few scrapes, bookplate of Gustave Chancel. First edition with these illustrations.  Cohen-De Ricci 648-651; Ray, French 2. — Bergson, Henri. L’Intuition Philosophique. Paris: Pelletan, 1927, 8vo, red calf gilt, printed wrappers bound in, in a red boards slipcase. — Céard, Henry. Une Belle Journée. Paris: Charpentier, 1881, 8vo, three-quarter red morocco, original printed wrappers bound in. — Chardonne, Jacques. Vivre à Madère. Roman. [Paris:] Bernard Grasset, 1953, Les Cahiers Verts –XVI, 8vo, dark green three-quarter morocco, printed wrappers bound in. — Mille, Pierre. Dix-Sept Histoires Merveilleuses. Paris: chez Claude Aveline, 1924, 4to, title printed in red and black, half-title, limitation page, woodcut title in red and black, woodcut chapter vignettes, red three-quarter morocco, top-edge gilt, original wrappers bound in. — Bainville, Jacques. La Troisième République 1870-1935. Paris: Fayard, [1935], 8vo with one leaf in each quire left with large margins, no. 87 of 250 on “bibliophile vellum,” three-quarter red morocco, printed wrappers bound in. — Gourmont, Remy de. Une Nuit au Luxembourg … gravées sur bois par F. Siméon. Paris: chez Claude Aveline, 1926, 8vo, half-title, limitation page, additional woodcut title, dark brown three-quarter morocco, by H. Blanchetière, original wrappers bound in. — Goncourt, Edmond & Jules. Oeuvres … Renée Mauperin. Paris: Alphone Lemerre, 1875, 8vo, title printed in red and black, half-title with limitation on verso, etched portraits of the authors, maroon three-quarter morocco by M. Albinac, printed wrappers bound in, inscribed by Edmond Goncourt “ à M. Cernuschi en souvenir de sa visite à Auxeuil.” — Arène, Paul. Oeuvres de … Jean-Des-Figues. Paris: Alphonse Lemerre, 1884, 8vo, title printed in red and black, half-title with limitation on verso, etched portrait, orange half-morocco, top-edge gilt, original wrappers bound in. — Barrès, Maurice. Un Jardin sur l’Oronte. Paris: Librairie Plon, [1922], 8vo, half-title facing limitation page, uncut, half morocco, spine gilt. — Poëte, Marcel. Une Vie de Cité Paris de sa Naissance à nos Jours. Paris: Auguste Picard, 1924, 4 volumes including “Album” of 600 images, large 8vo, blue three-quarter morocco, by M. Albinhac, original wrappers bound in. — France, Anatole. Thaïs. Quinze compositions don’t un frontispice en couleurs par Georges Rochegrosse. Paris: Librairie des Amateurs A. Ferroud, 1909, 8vo, half-title with limitation on verso, frontispiece in color, other illustrations in black and white, purple three-quarter morocco, spine gilt, top edge gilt, by M. Albinhac, original wrappers bound in. — Gautier, Théophile. Les Jeunes France Romans Goguenards. Lyon: H. Lardanchet, 1914, 8vo, half-title with limitation on verso (“hors commerce”), title printed in red and black, red half-straight-grain morocco, spine gilt, top-edge gilt, original wrappers bound in. — Béraud, Henri. Vous ne Connaissez pas Mon Pays. Bois originaux de Jean Chièze. Lyon: Les Tables Claudiennes, chez H. Lardanchet, 1944, 8vo, title printed in red and black,  no. XLIX of 100 copies on “pur fil lafuma”, red three-quarter morocco, by A. & R. Maylander,  original wrappers bound in. — Suarès, André. Voici l’Homme. Paris: Bibliothèque de l’Occident, 1906, large 8vo, half-title, dark-blue blind-tooled morocco, dentelles, by E. Carayon, original wrappers bound in. — Théatre de Guignol publié par la Société des “Amis de Guignol”. Lyon: Camus & Carnet, 1929, 2 volumes, large 8vo; some browning, vellum, original wrappers bound in, exlibris “A. Burton, 8 Décembre ‘34” on flyleaves. — Vingtrinier, Emmanuel. Le Lyon de Nos Pères. Lyon: Bernoux, Cumin & Masson, 1901, folio, title printed in red and black, additional steel-engraved title with limitation on verso, copy 801 printed for Marius Siraud, etched frontispiece and plates, numerous text illustrations,  maroon three-quarter morocco, edges gilt, by M. Albinhac, original wrappers bound in, in a boards slipcase. — Chamisso, Adelbert de. Pierre Schlémihl. Paris: E. Dentu, 1893, 12mo, half-title, Nelumbo vignette,  printed sentiment leaf, maroon straight-grain half morocco, original wrappers bound in, from the “Petite Collection Guillaume.” — Beaumarchais,  Pierre-Augustin Caron de. Théatre de Beaumarchais … Le Mariage de Figaro. Paris: Alphonse Lemerre, 1872, 8vo, half-title with limitation on verso, publisher’s vignette on title, red morocco, dentelles, edges gilt, by Canape. — Chazournes, Félix de. Ophélia ou l’Anglaise de la Colline. Lithographies par Jacques Laplace. Lyon: Tables Claudiennes chez H. Lardanchet, 1946. 8vo, title printed in green and black, half-title with limitation on verso, no. XLVI of 50 copies on vélin de Rives, green three-quarter morocco by A. & R. Maylander, original wrappers bound in. — Chénier, André. Poésies. Lyon: H. Lardanchet, 1919. 8vo, title printed in red and black, half-title with limitation on verso, maroon three-quarter morocco, spine gilt, top-edge gilt, original wrappers bound in. — Mercier, Louis. Poèmes de la Tranchée. Lyon: H. Lardanchet, 1916. 4to, half-title with limitation on verso, no. 19 of 25 on japon, blue three-quarter morocco, by M. Albinhac, original wrappers bound in. — Focillon, Henri. Le Mont dans la Ville. Lithographies originales par Georges Gobô. Paris: for the artist, 1928. 4to, half-title, frontispiece, copy XXXI of 25 on japon with an extra suite of lithographs on japon “avec remarques a la sanguine.” Green morocco blind- and gilt-ruled in diagonals, top- and fore-edge gilt, green morocco gilt-ruled doublures, maroon silk endleaves, in a boards slipcase, by E. Maylander, with original wrappers, and a prospectus bound in at the end. — Chadourne, Louis. Le Maitre du Navire illustré de soixante-cinq bois originaux de Pierre Falké. Paris: Collection des Arts, G. Crès & Cie, 1925, 4to, frontispiece in watercolor pen-and-ink by Falké, half-title, colored woodcuts, orange three-quarter morocco, in a boards slipcase, by A. & R. Maylander, original wrappers bound in. — Bazin, Hervé. Au Nom du Fils. Paris: du Seuil, 1960. 8vo, half-title, green half morocco, in a boards slipcase, original wrappers bound in, inscribed by the author.



In all, 27 titles in 31 volumes. 

Provenance

Henri Burton

Condition


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.