- 249
A French polychrome painted, ebonised and parcel-gilt cabinet signed Chifflot and dated 1846-1847
Description
- oak, paint
- 101cm. high, 126.5cm. wide, 53.5cm. deep; 3ft. 3¾in., 4ft. 1¾in., 1ft. 9¼in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Both Callot and Grandville were born in Nancy and are two of it's more prolific artists. Therefore the present suite could have been executed by Chifflot, also active in Nancy, as a tribute to the two artists from his home town.
Jean Grandville, renowned French caricaturist and illustrator, went to Paris in 1825. There he had his considerable first success with his album Today's Metamorphoses, in which animals appeared dressed as humans, already revealing his penchant for fantasy. In the same year he worked for the satirical journal La Silhouette where he openly attacked Charles X in his numerous caricatures and is said to have taken an active part in the Revolution of 1830. He also became one of the main illustrators of La Caricature where he worked closely with Honoré Daumier whose oeuvre remained fairly realistic. He also executed various illustrations for books by Balzac, Defoe, Swift and La Fontaine. It is interesting to note that many of the birds and animals represented in his whole oeuvre are very similar to those painted on the present piece.
Jacques Callot, painter and engraver lived, worked and died in Nancy where he caused an aesthetic and technical revolution. He had a real passion for the spectacle of life which he studied closely at the court, in town and many other public places and which he represented with great sincerity adding his fantastical input.
The mixture of naturalism with realism and chinoiserie decoration with stylised geometric and scroll motifs proves the great ability of Chifflot to create a truly unique suite with a stunning eye for detail. The right hand door on the cabinet à vantaux is a perfect illustration of this charming inventiveness: various species of birds are perched on two trees singing the notes which are depicted on a scrolled parchement suspended by an eagle in it's claws. The notes on the musical scroll represent birdsong.
A bedside cabinet signed by the same maker, and 1853, was sold in these Rooms, 24th May 2002, lot 178.