PF1315

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Lot 21
  • 21

Pierre Soulages

Estimate
100,000 - 150,000 EUR
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Description

  • Pierre Soulages
  • Gouache et encre sur papier 65 x 50 cm, 1957
  • signé
  • encre et gouache sur papier
  • 65 x 50 cm; 25 5/8 x 19 11/16 in.
  • Exécuté en 1957.

Provenance

Collection particulière, New York
Collection particulière, Suisse

Condition

The colors are fairly accurate in the catalogue illustration. This work is executed on paper attached to the mount along the edges. It has been inspected unframed. Are only visible under very close inspection, - Five artist pinholes located in the extremity of the upper right corner, - Seven artist's pinholes located at the extremity of the lower left corner. Located along the lower edge, two thin tears have been carefully restored : -one approx 2 cm located 22 cm from the extremity of the right corner -one approx 1 cm located 9 cm from the extremity of the left corner. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Le développement de l'oeuvre sur papier peut se lire d'abord comme une tension dialectique entre le traitement pictural par le signe et le traitement par la surface, l'un et l'autre coexistant, mais inégalement, tout au long des trois premières décennies, et intervenant parfois dans les mêmes peintures. Au long des années 1950, la tendance à occuper par la peinture la plus grande partie de l'espace ne fera, en effet, que s'affirmer, notamment dans les gouaches, souvent par l'utilisation d'un fond coloré semi-transparent sur lequel s'inscrit une structure statique de traces noires, conférant à la puissance dans la présence une monumentalité impressionnante.
Pierre Encrevé in Soulages, 90 peintures sur papier, Paris, 2007, p.8