Simon Hantaï

Galerie Jean Fournier, Paris
Acquis auprès de celle-ci en 1992 par le propriétaire actuel

The colors are fairly accurate in the catalogue illustration although the blue color is more vivid in the original work. The work is executed on its original canvas and is not relined. Under very close inspection and all due to the artist process, a small lack of paint (approx 0.2 x 0.2 cm) is visible in the upper left quadrant at 7.5 cm from the top and 2 cm from the left. Under very close inspection, a tiny hole (approx 0.2 x 0.2 cm) is visible at 2 cm from the left edge and 9 cm from the upper edge. Under very close inspection, a careful retouching (approx 2 cm) is visible on the left edge near the rim, located 5 cm from the upper left corner.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vue de l'exposition Simon Hantaï, Peintures 1960-1967à la Galerie Jean Fournier, Paris, 22 juin-31 juillet 1967 © D.R.

Le nom [Catamurons, celui de la maison de vacances en Normandie] reste pour moi attaché à toute une période de travail sur la marge et d’incertitude des problèmes à mettre en œuvre –
Frontière, où un rien fait la différence et aussi peut-être le voisinage de Braque et de Matisse.
Simon Hantaï, lettre à Dominique Bozo, 5 octobre 1976