Jean-Pierre Raynaud

Collection de l'artiste
Vente: Christie's Paris, Jean-Pierre Raynaud, 27 octobre 2006, lot 49
Acquis lors de cette vente par le propriétaire actuel

Paris, Galerie Creuze, XVI Salon de la Jeune Sculpture, 1964
Paris, Galerie Creuze, Groupe International, 1965
Gand, Museum Van Hedendaagse Kunst, Raynaud, 22 avril-22 mai1978; catalogue, p.23, no.1, illustré
Ivry-sur-Seine, Galerie Fernand Léger, Peinture non plane en France aujourd'hui, 1984; catalogue, p.15, illustré
Villeurbanne, Hôtel de Ville, Jean-Pierre Raynaud 1962-1989, 14 avril-21 mai 1989; catalogue, p.15, illustré
Houston, The Menil Collection; Chicago, Museum of Contemporary Art; Montréal, Centre International d'Art Contemporain, Jean-Pierre Raynaud, 1991; catalogue, p.56, no.3, illustré
Paris, Galerie Nationale du Jeu de Paume, Jean-Pierre Raynaud, 15 décembre 1998-7 février 1999; catalogue, p.37, illustré
Nice, Musée d'Art Moderne et d'Art Contemporain, Les Raynaud de Raynaud, 25 mars-10 septembre 2006; catalogue, p.28, illustré en couleurs

Emmy de Martelaere, Jean-Pierre Raynaud, Bruxelles, 1975
Jean-Pierre Raynaud: Noir et blanc, catalogue d'exposition, ARC Musée d'Art Moderne de la Ville de Paris, Paris, 1985, p.11
Gladys Fabre, JP. Raynaud, Paris, 1986, p.26, illustré
Démosthènes Davvetas, Jean-Pierre Raynaud, La Garenne Colombes, Paris, 1990, p.35, illustré
Catherine Francblin, Raynaud's Psycho-objects, Art in America, juin 1991, New York, p.115, illustré
Guy Sorman, Raynaud: Sens interdits, Le Figaro Magazine, 2 novembre 1991, pp.68-69, illustré
Jean-Pierre Raynaud, catalogue d'exposition, Mito Contemporary Art Center, Mito, 1992, p.53
Jean-Luc Chalumeau, Catherine Flohic, La vie, la mort sont des catastrophes tranquilles, Ninety, no.14, 1994, p.14, illustré
Philippe Jodidio, Mastaba, Connaissance des Arts, no.516, avril 1995, illustré
Jean-Pierre Raynaud, Editions Galerie Enrico Navarra, Paris, 1995, p.17, illustré
Jean-Pierre Raynaud, Editions Galerie Enrico Navarra, Paris, 1997, p.17, illustré
Denyse Durand-Ruel, Jean-Pierre Raynaud, Catalogue Raisonné 1962-1973, Tome I, Paris, 1998, p.18, no.12, illustré en couleurs

The colours are fairly accurate in the catalogue illustration. The work has few light superficial rub traces scattered on each face, for some of them visible in the catalogue illustration. Two paint losses are visible on one side located at one junction between two wood pieces. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."