Ettore Sottsass

size 7

Ettore Sottsass, Centre Pompidou, Paris, April 27-September 5, 1994
Barbara Radice, Ettore Sottsass:  A Critical Biography, New York, 1993 p. 144-145 (for related drawings)

Overall excellent original condition. The gold of the ring with a more brilliant hue than what is shown in the catalogue photograph. Please note the ring is shown in the catalogue illustration slightly larger than actual size. This lot is being sold with an original red jewelry box marked Ettore Sottsass and with producer’s firm. This ring is a highly sculptural work showing the artist’s deep appreciation of line and form. A rare example of this form to appear on the market executed in gold.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

INTRODUCTION:

Ettore Sottsass began designing jewelry in the 1960s, with many pieces designed specifically for his first wife Nanda.  Produced by Walter de Mario in Milan, these examples represent Sottsass’s intention to design objects as “catalysts of perception” that provoke dynamic responses from the viewer as well as the wearer.  The use of gold and designs reminiscent of ancient ethnic adornments are heightened by rhythmic geometric forms.

FOOTNOTE:
An example of this ring is in the collection of the Centre Pompidou in Paris.