- 154
Florence Knoll
Description
- Florence Knoll
- Sofa from the Alcoa Building, 425 Sixth Avenue, Pittsburgh, Pennsylvania
- with Alcoa General label
- aluminum and fabric upholstery
Provenance
Literature
Bernard P. Spring, "Alcoa's Big Experiment—Ten Years Later," Architectural Forum, December 1962, p. 19 (for a discussion of Alcoa headquarters)
Beatriz Colomina, Annemarie Brennan and Jeannie Kim, eds., Cold War Hothouses: Inventing Postwar Culture from Cockpit to Playboy, New York, 2004, pp. 70-73 (for a discussion of Alcoa's headquarters completed in 1952)
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Frank L. Magee, president of Alcoa, clearly stated the company's focus in a May 1962 issue of Industrial Design, namely that Alcoa "is betting our corporate future on industrial design: a significant portion of our sales effort aims to provide information and assistance to the industrial designer, so he may make intelligent use of our product." The company's headquarters in Pittsburgh was constructed with a diamond-pattern aluminium facade, and the interior furnishing commissioned from Knoll, Inc. for the offices also incorporated the light-weight, durable material. Well-known for their innovative use of aluminum, the company was a prominent figure in the creation of this market from the ninteenth century even up to the present day. Alcoa's focus on innovative industrial materials aligned well with the forward-thinking aesthetic choices of Knoll, as reflected in the two present lots, which employ aluminum legs and mounts in addition to a wood tabletop designed by George Nakashima.