Lot 95
  • 95

Russel Wright

Estimate
8,000 - 12,000 USD
bidding is closed

Description

  • Russel Wright
  • A Rare Low Table
  • maple and mahogany 

Literature

Ann Kerr, Collector’s Encyclopedia Russel Wright, Paducah, KY, pp. 68, 77 and 79

Condition

Overall very good original condition. This lot is very rare offering displaying Wright’s signature design aesthetic. Please note the dimensions of this table, as it is a large scale design. The table presents with a few minor edge chips, nicks and scattered surface scratches to the top of the table, consistent with gentle use. With some minor surface soiling to the interior of the compartments. The larger drawer is fitted with four dividers and is accessible on two sides of the table. The veneer throughout this work remains in excellent condition, and intact. The metal handles with minor discoloration consistent with the natural aging process and handling of this material. This multi-sided table was designed by Wright for use between or adjacent to multiple furniture designs. A wonderful example of Wright’s furniture design and aesthetic.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The present lot is a rare example of Russel Wright’s early furniture designs for Heywood-Wakefield.  When he signed with the firm in 1934, Wright had planned to design a 60-piece line that would premiere at Bloomingdale’s flagship store in New York.  However, due to manufacturing disagreements and lack of orders, Wright was dismissed by the firm only a year later with most of his designs never realized.