- 141
Jerry Spagnoli
Estimate
10,000 - 15,000 USD
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Description
- Jerry Spagnoli
- All of the Hand Gestures from The Last Supper
- A sequence of thirteen daguerreotypes
a suite of 13 half-plate daguerreotypes, one signed by the photographer, in a hinged poplar case constructed by the photographer, 1994
Provenance
Simon Lowinsky, New York, 1997
Condition
These daguerreotypes are in excellent condition. The images are crisp and clear and deliver a great deal of detail. They are mounted in linear fashion into a hinged wooden case made of poplar, built by the photographer.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Jerry Spagnoli, innovator and modern daguerreotypist, conceived of the present series of hands as anatomical studies that Leonardo Da Vinci might have used as a sketching tool, had daguerreotypy been available in his time. Spagnoli has written: “The idea of the gesture as a communicative element . . . I’ve always preferred looking at Renaissance drawings and studies rather than the finished paintings. The drawings are so beautifully rendered and there’s a feeling of intimate communication . . . The attempt to use anatomy as communication, and physiology to produce emotional expression, it goes to our deepest interpretive resources.”