- 73
Lombardo-Veneto School, 16th Century
Estimate
8,000 - 12,000 USD
bidding is closed
Description
- Recto: Figures holding a bolting horse, seen through a vaulted colonnaded passage;Verso: Part of a torso and a right arm for a crucifixion
- Pen and brown ink and wash (recto); black chalk (verso) on gray-green paper
Condition
Window mounted. Some gray and brown staining scattered to the upper right section of the drawing and towards the lower margin and the right lower edge. Surface dirt. The media is fresh and the paper although stained is not discolored.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This very interesting study is reminiscent especially of the work of Pordenone (1483-1539) but also shows similarities with Lombard masters such as Ambrogio Figino (1548-1608).