L12115

/

Lot 215
  • 215

Natalia Sergeevna Goncharova

Estimate
6,000 - 8,000 GBP
bidding is closed

Description

  • Natalia Sergeevna Goncharova
  • A group of eight illustrations to La Cité
  • signed with initials in Latin in the plate and signed in full in Latin on the mount
  • hand-coloured lithographs
  • 21.5 by 11.5cm, 8 1/2 by 4 1/4 in.

Provenance

Professor Nikolai Okunev, Prague
Thence by descent

Condition

The sheets have discoloured. There is some light surface dirt, otherwise they are in overall good condition. Unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Goncharova produced a series of black and white lithographs to illustrate Alexander Rubiakin's poem La Cité, dedicated to the memory of the author's wife, who 'died at her post on 27 January 1918'. The book was printed privately in Paris in 1920 in an edition of 325 copies with text that reproduced Rubiakin's handwriting.


The offered works are the only hand-coloured lithographs known to exist.

This set comes from an extraordinary collection of early 20th century Russian art belonging to the art historian and collector Professor Nikolai L'vovich Okunev (1885-1949). Nikolai Okunev briefly held the post of cultural attaché for the White Government in Odessa after the Revolution, before fleeing via Istanbul and Skopje to Prague. From 1925 onwards, he lectured in Byzantine and Slavonic Art at the Charles University, and was also the director of the Slavonic Institute in Prague.

In 1932 Okunev began to compile an archive of Slavonic art. His initiative was supported by many of the greatest Russian artists of the day, including Mikhail Larionov, Natalia Goncharova, Alexander Benois and Ivan Bilibin. Many of them were close friends from St. Petersburg and not only gave works for the collection, but also provided extensive biographical material. This formed the database for Okunev's archive of Russian artists.

A deeply significant moment in the collection's formation was the 1935 Exhibition of Russian Art in the Klam-Gallasov Palace, for which Goncharova designed the poster for free. Professor Okunev collected more than 450 works from Czech and European collections, including works by many famous Russian artists from the eighteenth to twentieth centuries, as well as works by young, emerging artists. More than 300 people attended the opening of the exhibition, and Alexander Benois, Osip Zadkine and Constantin Tereshkovich travelled from Paris to give lectures. The exhibition ran for three months and attracted more than 6,000 visitors.

Professor Okunev continued collecting until his death in 1949. His collection remained within the family, and in 1971 his daughter lent several works to the exhibition Russian Graphic Arts from the Early Twentieth Century in the National Gallery in Prague.