L12116

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Lot 436
  • 436

A Soviet Porcelain Cup 'Wedding', State Porcelain Manufactory, Petrograd, 1923

Estimate
7,000 - 9,000 GBP
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Description

  •  
  • porcelain
  • height 7cm, 2 3/4 in.
after a design by Alexandra Shchekatikhina-Pototskaia, the body decorated with a prince and princess holding candles on a ground of colourful flowers and ciselĂ© gilt and silvered ornament, gilt handles, one side painted with one of the artist's distinctive 'red faces', signed by factory painter Maria Kirillovna, dated 1923, and numbered 490/3

Literature

For two other versions of this design in the collection of the State Russian Museum, see Aleksandra Shchekatikhina-Pototskaia, 1892-1967, St Petersburg, 2009, pp. 43, 54, 133, and 136, ill. nos. 29 and 47, and cat. nos. 17 and 56.

Condition

with some small scratches to enamel, particularly on the right side of the red face, also with a small area to the left side of one of the gilded handles which appears to be pooled lacquer or glaze. Possibly sprayed to conceal older restoration or to prevent oxidation of silvering.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This cup is of particular interest for the unusual layered gilding and silvering employed in the crowns and the candle stand, which rarely appears in Shchekatikhina's designs or in the manufactory's works.  This dessert cup (kremanka) form was only in use briefly at the Imperial Porcelain Manufactory.  The artist has used the curling handles as a humorous element centring one of her distinctive 'red faces'.