PF1222

/

Lot 9
  • 9

Moritz Nähr (1859 - 1945)

Estimate
15,000 - 20,000 EUR
Log in to view results
bidding is closed

Description

  • Moritz Nähr
  • Portrait de Gustav Klimt avec son chat, c. 1910/12
Tirage argentique d'époque.

Provenance

Collection particulière belge

Literature

Agnès Husslein-Arco/ Alfred Weidinger (éd.), Gustave Klimt & Emilie Flöge, Munich/ Londres/ New York, Prestel, 2012, ill. pp. 176 et 177.

Condition

This print is in excellent condition. With a matt surface, on stiff slightly yellow paper, with a slightly textured surface, and with a black margin of approx. 5 mm along the edges. The edges and corners are occasionally slightly worn, but this does not at all affect the image.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Ce portrait iconique, dont la composition géométrique de l’arrière-plan de la photographie est en ligne avec les principes de la Wiener Werkstätte, représente le grand émissaire du mouvement Jugendstil (Art Nouveau) dans une situation intime. Moritz Nähr était ami de longue date de Klimt et propriétaire d’un atelier photographique à Vienne dans lequel il pratiquait une photographie revendiquée comme art à part entière. Il était parmi ceux qui rejettent les compositions traditionnelles de l'époque et que Klimt avait, par conséquent, soigneusement choisi pour réaliser ses portraits.