- 114
Aiguiere-trophee de regate en vermeil serti de chrysoprases par Alexander Schonauer, Hambourg, vers 1912
Description
- Aiguiere-trophee de regate en vermeil serti de chrysoprases par Alexander Schonauer, Hambourg, vers 1912
- Haut. 40 cm, 1578 g ; 15 3/4 in, 50oz 14dwt
incorporating fish and marine ornament, centred by the arms of Hamburg and inscribed EHRENPREIS. DER. FREIEN. u. HANSESTADT. HAMBURG. FÜR. DIE. REGATTA. AUF. DER. UNTERELBE. 1912.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Alexander Schonauer was an imaginative and technically gifted German artist goldsmith of the late 19th early 20th century. After qualifying as a Journeyman in Munich in 1889 he completed his training in Paris, the Netherlands and Belgium before establishing a workshop in Hamburg. His most representative work, combining silver with enamel and other materials, in an original interpretation of the Renaissance, was made for the city government. It forms the heart of the later part of the city treasure, Das Neure Ratsilber, created between 1898 and 1914. Bernard Heitman et al. hold Schonauer's talent in high regard, considering the result of his association with the city of Hamburg, without equal in Germany at the time. A pair of jugs made in 1901, comparable to the example in this lot are part of the city treasure. See: Bernard Heitman et al. Die Goldschmiede Hamburgs, Hamburg, 1985, vol I, P. 114-116.