Hendrik Goudt

Engraving after Adam Elsheimer, 1613, on paper with a Bird in Circle watermark; with Federico Barocci, Madonna and Child (Bartsch 2), etching and engraving; and Jan Lievens, The Resurrection of Lazarus (Holl. 7), etching, circa 1631, the third (final) state

B. 2 ex coll. Max Egon Fürst zu Fürstenberg (L. 995); Holl. 7 Friedrich August II recto (L. 971)

Holl. 2: sheet: 260 by 268mm; 10¼ by 10½in B. 2: sheet: 155 by 110mm; 6 1/8 by 4 3/8in Holl. 7: sheet: 358 y 311mm; 14 1/8 by 12¼in Holl. 2: with thread margins (trimmed to the platemark in places), a central vertical fold with an associated vertical repaired tear at extremities, three circular pale white stains in image, a thin area at centre of image (mainly visible verso), slight surface dirt, unframed. B. 2: with thread margins at sides, trimmed to the platemark above and below, a small fleck of paper at lower centre in the clouds, a thin area at upper left corner (mainly visible verso), otherwise in good condition, unframed. Holl. 7: trimmed to or on the platemark at sides, trimmed just within the image elsewhere, a vertical repaired tear at right of lower edge, some pale foxmarks, supported on a sheet of laid paper, unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."