This meticulously finished drawing is typical of Minardi's classicist style and of his interest in paintings of the late 15th century, especially of the Umbrian school. This study, of which another version was sold in New York,1 is evidence of Minardi's particular admiration for Raphael's early Madonnas.
1. Sale, New York, Christie's East, 23 May 2000, lot 50
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