Lot 211
  • 211

Christoph Unterberger

Estimate
7,000 - 9,000 USD
bidding is closed

Description

  • Christoph Unterberger
  • study of a table with the arms of pope pius VI, braschi, and figures of hercules supporting the top
  • Pen and black ink and watercolor

Provenance

Sale, London, Sotheby's, 22 April 1998, lot 107 (as Studio of Giuseppe Valadier)

Condition

Hinged to the mount at the upper margin. Overall in very good condition. A brown mark just above the table, upper right. The colors remain strong and fresh. Sold in a gilded frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This records one of a pair of massive tables commissioned around 1789 from Giuseppe Valadier by Pope Pius VI Braschi for the Biblioteca Apostolica in the Vatican.  While Valadier seems to have made an initial sketch for the tables, documents suggest that Unterberger was responsible for developing the design to its final form, for overseeing Vincenzo Paccetti's modelli for the figures of Hercules, and in particular for designing the reliefs of scenes from the pontificate of Pius VI which decorate the base supporting the marble top.  Chiara Felicetti writes of the tables: ...'essi rappresentano uno degli ulitmi esempi della meravigliosa simbiosi fra mobilio e scultura...tipica della Roma barocca...'1

Unterberger settled in Rome in 1758 and was very active as a painter and as a designer. He worked for the Apostolic Camera from 1772-1780, doing much work in the Vatican and papal palaces.  He was related by marriage to the Valadiers and worked closely with Giuseppe, who took over the family workshop from his father, Luigi.

1.  C. Felicetti, 'Cristoforo Unterperger e i Fasti di Pio VI...', Cristoforo Unterperger: Un Pittore Fiemmese nell'Europa del Settecento, Rome 1999, p. 64