Lot 115
  • 115

Jean-Baptiste Le Prince

Estimate
20,000 - 25,000 USD
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Description

  • Jean-Baptiste Le Prince
  • the joys of motherhood
  • Pen and black ink and gray and pink wash, over traces of black chalk; oval;
    signed and dated in pen and black ink: J.B. Le Prince. 1766.

Provenance

Sale, London, Christie's, 9 December 1980, lot 169, reproduced

Condition

Did not take out from under glass. Appears to be in good condition although may be laid down; not stuck completely to current mount. Very small hole at right edge on porch and possibly a faint stain above head of seated woman.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

A painting of this composition, with some differences and dated 1764, is in the Hermitage (fig.1), and other versions are recorded, together with an engraving by Le Prince himself dated 1769.1  Le Prince was in Russia from 1758 to 1763, joining a large number of French artists who were working there and teaching at the academy in St. Petersburg.  He received numerous commissions from the Empress Elizabeth, in particular for the Winter Palace, as well as from her successor Paul III.  He also appears to have travelled extensively and made many studies of the costumes and traditions of the peoples he saw in other exotic regions of the country.  When he returned to Paris, he continued to make paintings and drawings based on those subjects, developing the taste for russeries among contemporary collectors.  He received a major commission in 1764 to provide illustrations for the Abbé Jean Chappe d'Autreoche's deluxe publication Voyage en Sibérie.  A drawing of The Russian Dance, very similar in size and shape to the present work and related to a painting of 1768, was sold in these Rooms, 1 January 2008, lot 193.

1.  I. Nemilova, The Hermitage...French Painting, Eighteenth Century, Florence 1986, p. 106, no. 120, reproduced