Dutch school, 17th century

The painting is lighter in colour and warmer in tone than the catalogue illustration suggests. The support consists of one single, flat, oak panel which is bevelled along thre edges (not the lower edge), though there is no reason to suppose the panel has been reduced in size. Under the slightly discoloured varnish the paint surface appears secure, with the impasto well preserved. To the naked eye it would seem that several areas of the draker tones in the background and lower part of the table have been retouched. Some strengthenings in the edge and black highlights of the pear appear to have been strengthened. Inspection under UV light does not show up any of the background retouchings under the glossy varnish, though the strenghenings on the pear do flouresce. Further localised retouchings can be made out in the walnuts, in the plate, roemer, and apple. Offered in a carved wooden frame in fair condition, with some minor knocks.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."