- 50
Giovanni Battista Tiepolo
Description
- Giovanni Battista Tiepolo
- Recto: a head of a bearded oriental wearing a turban, turned to the left;Verso: a sheet of figure studies, possibly for a pietÃ
- Pen and brown ink (recto and verso) and brown wash (recto); some traces of red chalk at the bottom of the beard (recto)
Provenance
with Galerie Cailleux, Paris, from whom purchased in 1966 and then by descent to the present owner
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This very handsome study of the head of an oriental is very similar to another by Giambattista, in red chalk and red wash, in the Fogg Art Museum.1 George Knox dates the Fogg drawing circa 1760 and suggests that it was etched by Giandomenico as part of the series Raccolta di Teste, which consists of two groups of thirty etchings each (fig. 1). Stylistically a dating of circa 1760 could also be applied to this very quick and skilful pen and wash drawing. Knox has proposed the same dating for similar pen and wash heads and for the series of variations on the theme of The Holy Family.2
On the verso are a number of quick sketches vigorously drawn in pen and brown ink, possibly studies for the body of the dead Christ in a Lamentation or Deposition. Giambattista seems to have treated this subject a few times in his career, also around 1760, see for instance The Deposition in the National Gallery, London (circa 1750-60), a work that Morassi described as influenced by Rembrandt's Deposition, and which was in Consul Smith's Collection in Venice until 1762.3
Paul Delaroff (1851-1913) assembled a very important Old Master Paintings collection in St Petersburg, which was sold after his death in Paris by George Petit, 23-24 April 1914.
1. G. Knox, Tiepolo, A Bicentenary Exhibition, exhib. cat., Cambridge, Mass., Fogg Art Museum, 1970, no. 94, reproduced
2. loc. cit.
3. A. Morassi, A Complete Catalogue of the Paintings of G.B. Tiepolo, London 1962, p. 17, reproduced fig. 59